I know you were originally hired to work on the soundtrack, but you’re credited with scoring the film as well. Are you saying something about blonde fragility in there? That’s funny. Then, I got a text from Greta, and she said, “We love this, this is awesome. I don’t want them to hit me back and say, “Uh, leave the jokes to us.” I was nervous-but in a good way-to see if they liked what I sent over. I don’t want them to feel like I’m overstepping. Then, I had this other lyric-something like, “Me and all my blonde fragility.” I thought it was kind of cute, but I was like, These are great comedy writers. I thought, OK, well that’s kind of funny and it sounds like a chorus.
But I was walking down the street and the lyric came in my head: “I'm just Ken / Anywhere else I'd be a ten.” That's his story. Usually, I work on the track and the chords. It was so easy to feel for this character right off the bat. He does all these things to try and impress her, and he’s maybe not the brightest tool in the shed. Ken’s mainly driven by the idea that Barbie doesn't like him. The other thing they needed was a Ken song for Ryan Gosling. That's what Dua does in all her best music, anyway. Barbie, when you think about it, could go kind of syrupy Euro, right? There was something about keeping it a little tough and meaner. Can we do something in this tempo?” So it was already a precarious thing, having them choreograph a huge dance number to a song that didn’t exist yet.
I could make a track that we all liked, but then I could go to Dua and she might say, “I’m not feeling the beat. We have to temper expectations.Īlso, I knew they had to choreograph it. They said, “We shoot the scene in two weeks and we need a big dance number." Then the verbiage got a little more cocky, from “dance number" to “summer smash.” And I was like, Wait, this is a song that I haven't even started. The first one was “Dance The Night" with Dua Lipa.
#Make it or break it songs movie
Even if I don't get this gig, I know this is gonna be my favorite movie next year. I just read the script and thought, This is the funniest thing I've ever read.
I don't wanna sound obsequious, but I was such a fan of Greta and her other films. OK, so I don't have anybody who can tell me like, “You're not supposed to talk about that yet.” Brady? Is he from Esquire or Warner Brothers? The person whose name I see on the screen. What’s happened? Do people know that there's a power ballad now? You have to tell me. MARK RONSON: I can't talk about it, because nobody's seen the movie–and I don't know what I'm allowed to talk about. Matt Winkelmeyer/GA // Getty ImagesĮSQUIRE: Have you been keeping up with the reactions to Barbie so far ? People are already excited about Ken’s song. (L to R) Andrew Wyatt, Mark Ronson, and Ken himself-Ryan Gosling-at the glitzy Barbie premiere. “That’s some shit we couldn’t have dreamed or wished up,” he says. Cut to Minaj and Ice Spice's “Barbie World,” a remix of Aqua’s 1997 “Barbie Girl” anthem. Well, Ronson is a Grammy-winning producer-who’s worked with stars like Amy Winehouse, Lady Gaga, Adele, and Bruno Mars-so it wasn't a hard sell.
#Make it or break it songs how to
Ronson wanted to include Nicki Minaj-she is the Barb, after all-he just wasn’t sure how to pull it off. “I was like, hell yeah.” There was only one issue. “She sent me some playlists for inspiration and asked if I wanted to make songs for the film,” Ronson, 47, tells me over Zoom. But the thing is, when Greta Gerwig asks for your help? You deliver. (That’s a lot of ears to impress.) In 2022, when Gerwig offered the gig to the legendary producer, he knew the music could easily make or break Barbie. In fact, the Greta Gerwig-directed feature is predicted to earn $110 million at the box office this weekend. How could he not? Everyone and their mother has plans to see the movie, which is out this Friday. Mark Ronson lost a lot of sleep while crafting the Barbie soundtrack.
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